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Embeds 0 No embeds. No notes for slide. After years of red and black dominance in early religious art, people were slowly warming up to the cool tone.
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But even though the its status was accepted by the church, by royalty, and by men of science, the deep purple-blue of ultramarine remained a luxury item for painters. Diesbach began profiting off of his discovery almost immediately, and he soon was shipping the new blue paint all over the place, from France to Japan to China to Prussia. The color made its way onto wallpaper, stamps, flags, and paintings. The color became incredibly popular with Japanese printmakers in the late Edo period, and Katsushika Hokusai, creator of some of the most easily recognizable works of Japanese art, led the way.
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Hokusai chose Prussian blue to color his ocean it is the only bright color in the work , creating saturated swells that contrast with the white crest of foam in the foreground and the diminutive blue peak of Mount Fuji in the background. Believing this blue was emblematic of Japanese art when it was, in fact, a European invention painters like Monet and Van Gogh began to deck their canvases with Prussian blue paint. Americans dug this deep blue, too. John Audubon used Prussian blue paint in his Birds of America series to capture the brilliant feathers of magpies and blue jays, and Winslow Homer used it to depict the tropical ocean in his late career watercolors.
But some people felt that they should come up with their own name for the pretty hue.
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Shall the names of so many of our colors continue to be derived from those of obscure foreign localities, as Naples yellow, Prussian blue, raw Sienna, burnt Umber, Gamboge? What do we know of sapphire, amethyst, emerald, ruby, amber, and the like, most of us who take these names in vain? Leave these precious words to cabinet-keepers, virtuosos, and maids-of-honor,—to the Nahobs, Begums, and Chobdars of Hindostan, or wherever else. I do not see why, since America and her autumn woods have been discovered, our leaves should not compete with the precious stones in giving names to colors; and, indeed, I believe that in course of time the names of some of our trees and shrubs, as well as flowers, will get into our popular chromatic nomenclature.
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Other whites intro - Lead white - Lime white - Titanium white - Zinc white Unpopular 18th Century pigment, cobalt green could now lead to more energy efficient, faster Fresh ideas to advance scientific and cultural literacy. Follow us. Pigments through the Ages - Choose a time period. Pigments through the Ages - Middle Ages. Pigments through the Ages - History - Cobalt blue. Pigments through the Ages - Overview - Cerulean blue.